We
tell stories so that we can justify our actions. Even two people who lived
through the same event, can see it differently. When we hear all sides of the
story, we can begin to piece together something approximating the truth.
Rachel Brodeur and Corinna Burns Photo by Katie Reing. |
Inis
Nua Theatre Company, which presents “Contemporary theatre from Ireland,
England, Scotland and Wales,” has found a charming play about small town
secrets and invites us into a pub to hear the participants tell their sides of
the story. It’s filled with a hint of violence and lots of unfulfilled
sexuality, and goes perfectly with a pint of whatever you’re drinking.
Mary
(Corinna Burns) and Tom (Charlie DelMarcelle) are married, although they seem
happier apart. Even their daughter, a never seen Jessie, has moved away.
Meanwhile Lydia (Rachel Brodeur), whose husband has left her and taken their
child with him, moves into the house next door, a house that once belonged to
an old woman that Mary considered a witch, and the potential for
misunderstandings and a hint of French farce ensue.
Tom
and Lydia are plagued by secrets which Mary is determined to uncover, whether
by spying on her neighbor from her kitchen counter, or badgering Tom until he
just can’t take it anymore.
The
actors sit apart in separate corners of the pub around the audience. The story
is told through a series of short monologues, with a scene or two that brings
the actors together, but really they’re happier apart. Tom wants to indulge his
fetish, and Lydia would like to return to painting, while Mary wants to cause
trouble for everyone, which she does with relish. She has a mean streak, and
lashes out physically when she can’t think what else to do.
Stories
come back in different forms depending on who is telling them. Mary’s wicked
witch with too many cats is Lydia’s Granny Katz. Lydia’s depression is a
serious illness according to her husband and grounds for taking her child.
Tom’s attachment to ladies’ undies is seen by Mary as proof of an affair. As
the stories emerge, we laugh at what we can see that the characters can’t, too
caught up in their own version of events.
The
pub setting works well. It’s as if we’ve sat down with these people and are listening
to their stories over a pint of ale. Despite noise from the bar downstairs, the
actors keep their focus and stay in character, making us feel as if we really
are just having a conversation, even if we never get to say a word.
Hooked!. By Gillian Grattan. Tom Reing directed. Through October 25, 2015 presented by Inis Nua Theatre Company at Fergie’s Pub, 1214 Sansom St, Philadelphia, PA. (215) 928-8118; Inis Nua Theatre Company: (215) 454-9776 or inisnuatheatre.org
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